Her chair, his set — one of fourteen and a half years’ worth of days.
For fourteen and a half years, I sat beside John Singleton as his producing partner. I was there from the first spark of an idea through casting, production, and the edit — on projects like Snowfall and Rebel.
What I watched John do better than almost anyone was find actors. Actors nobody else had noticed yet — actors who didn’t know what they were capable of. He’d put them in front of a camera, inside a real world he’d built for them, and they’d become someone even they didn’t recognize.